Oil is one of the most traditional of painting mediums, developed during the early Northen European Renaissance. These paintings glow with inner fire and endure for centuries, if constructed well. I use the working methods taught in historical and contemporary ateliers and each starts with a hand gessoed wood panel or canvas covered in a toning layer, or imprimatura, of brilliant color. The closed grisaille, a monotone underpainting, follows and then layers of clear glaze bring depth and life to the work. Each painting is composed of anywhere from ten to twenty separate layers, a meditative labor of love designed to last a lifetime.